Remix Culture and Postmodernism | Essay

Remix Culture and Postmodernism | Essay The identity of our society fluxes continually with time change- as was noted by Greek-free-thinker, Heraclitus- when he expressed the impossibility of one to jump into a particular river more than once. This point of view about the dynamic nature of society continued for long when philosophers became rather convinced that the onward drive of society hinged on immutable laws. Recently, the evolutionally nature of society is considered to be progressive and that it relents more or less on pastiche, parody, or self-conscious appropriations through arts, philosophy and other humankind-related-creativity that are projecting civil, modern, and modernized society into the post-modern era, arguably. This paper will discuss Post-Modernism and how remix culture has affected or influenced it. Chances offered by discussed remix strategies to cultural and political critiques of post-modernism will also be considered. However, to appreciate the influence of remix-culture on post-modernism, it is appropriate to discussion the evolutionally path of post-modernism. Hence, the paper will address the topic using the approach. Evolution of Post-modernism By the end of the 1970s, the question began to be considered among French thinkers about the soar of society, and whether it was driven at all. There was the denier of the point that humans were still in the modern period which had been introduced by Enlightenment, two centuries back (Lash, Samuel and Friedman James. 1992). To this school of thought, modernization introduced a period of scientific thinking and capitalistic industrialization as well as the likelihood of nuclear battles, slavery and neo-colonialism, horror, racism, Euro-centralization, and immense hunger in third world countries. The legacies of Enlightenment were not particularly friendly, then, the thinkers concluded (Anderson, Paul. 1998). It was better to consider the theories by which modernism stood as been harmful and terrible. Certainly, humankind had moved completely ahead of modernism into a post-modern age. Post-Modernism Post-modernism has been defined as a propensity in present-day culture typified by rebuff of purposeful truth and worldwide traditional meta-narrative or accountability (Jameson, Fredrick. 1991). However, this definition cannot be relied on completely because it falls to identify completely with the wide viewpoints of post-modernism which include response to the implicitly scientific nature, objectivity, and attempt to elucidate reality. The definition has also not complied with the fact that: Postmodernism is used in critical theory to refer to a point of departure for works of literature, drama, architecture, cinema, journalism, and design, as well as in marketing and business and in the interpretation of law, culture, and religion in the late 20th and early 21st centuries (Georg, Iggers. 1997). There is a complexity in finding a very reliable definition that satisfies completely the topic of post modernism, therefore, due to its much diversified nature as the majority of definitions on the topic are terribly vague and habitually incoherent to others. There is a further complexity in deep differentiation between modernism and post modernism since the both could be linked with intellectual movements and aesthetics which are common in literary arts and philosophy. †¦modernity and post-modernity have tended to be used to refer to changes in social and economic institutions (Giddens, Amber. 1990). The context of knowledge of post-modernism, and how it is affected by remix-cultures, will be limited in this paper to two distinct examples: Arts and philosophy. This is imperative to limit the discussion to the question as well as to avoid perplexity. Art In consideration of post-modern art, it is proper to state that this is a little more than sculptural and paint art. Post-modern art also involves architectural, musical, dramatic, and literary arts with a major undefined meaning and depth. It is characterized by content and form diversity. Thus, art critics have based their critic of post-modern art on the characteristic of its vagueness. For example, Callinicos argued: †¦ multidimensional and slippery space of post-modernism [where] anything goes with anything, like a game without rules. Floating images †¦ maintain no relationship with anything at all, and meaning becomes detachable like the keys on a key ring. Dissociated and decontextualized, they slide past one another failing to link up into a coherent sequence. Their fluctuating but not reciprocal interactions are unable to fix meaning (Callinicos, Awender. 1989). The ready acceptance to this critic is based on the non-specified emergent style of architectural works around us in the past few decades. Building architects seem to be entirely dependent on remix of the past works. Most of the most adored cities around us are actually product of rejuvenation by certain architects in a quest to gratify their proficient fantasies. A very interesting illustration of this is the London Docklands. Even in developing countries like Nigeria, in Africa, art has gone old school and fashion, music and architecture has followed suite. Another critic says: Using operatic arias to promote football matches, classical music to persuade us to fly a particular airline, watching Pavarotti in the Park there is no longer a distinction between high and popular culture [anything goes with anything, like a game without rules] (Layder, Dye. 1994). The medias increase and power, culturally, through films, television or advertisements has contributed immensely to the perception people have on society. Kumar is of the point of view that post-modernists consider the media slightly differently from the customary idea of a mere communication means. The present-day media, for them, is not quite a communicational device; it is an entirely fresh environment for the present-day human- the kind of environment were one is entirely engrossed to social epistemology. People can interact with computers for hours in total contempt of the company. Kumar concludes: The media have created a new electronic reality, suffused with images and symbols, which has obliterated any sense of an objective reality behind the symbols †¦ In hyperreality it is no longer possible to distinguish the imaginary from the real (Kumar, Kanger. 1997). This viewpoint was first recognized by Baudrillard Jean who initiated the theory of reality as been an interchange of signs and ops in semantic acts through digital technology and electronic media for the consumption of the viewer. The theory contended that in a situation as stated, there is a detachment of the subjects from the results of occurrences (including artistic, philosophical or personal) such that events loss identifiable perspective. He held to the claim that a steady flow of forms and orientation that do not posses a direct effect a viewer would certainly create a gap between an object, indiscernibly, and appearance, and would result, paradoxically, to holography of appearance. The lost of identity of works of art in our time results into parody in the sense that they utilize cynical approaches by imitating previous works of arts of earlier years. To some extent, this works are not meant to mock previous art works. However, they embedment in a description of pastiche, parody, or self-conscious is totally identified by the lost of originality in such works. Recently, the imitation of previous art pieces seems to by primarily accepted by national laws through the limitation of copy rights. For example, it is believed: Film is a popular industry where a parody may be created. Iconic films that contain a parody of an original work include the Scary Movie series, which are spoofs of many top box office horror films and Spaceballs, which spoofs the George Lucas film Star Wars. Similarly, the tendency for parody in music is overwhelming. Already, there is an existing market for parody music and it is growing rapidly. Philosophy During the latter part of the 1960s, the US and Western Europe were caught up in political dilemma. Tendencies for significant political transformation in the year 1968 were obvious in the Western world consequent of movement such as the Chicano which sort for true liberation for minors. In France, the fight was debatably rather severe. This resulted to weakening of the large sway which had previously been exercised by the gargantuan Communist Party (where a majority of scholars owned reasonable commitment). This disenchantment resulted to their detachment from political affairs and consequent disbelief in political theories like Marxism. Even though they had many discrepancies, they accepted the fact of a disconnected and plural nature identifiable with reality. They disagreed with human thoughts on the possibility to reach significant objective explanations of reality. Ideologies or social theories that supported humankind activities as ways to express the order or progress of soci ety were considered to be vain and without credibility, post-modernist argued. All that was done in time past is rightly in the control of the informed against the non-informed. Implications of Remix Culture on Post-Modernism The implication of remix culture on post-modernism is the lost of values and personal identity. In schools, originality is fast giving way to pastiche. Students are reluctant to learn or interact with society in traditional formats, except through digital machines- which they are heavily reliant on. Obvious, there is a dilemma here! Conclusion This paper takes a look at the evolutionally nature of society considered to be progressive and which relents on pastiche, parody, or self-conscious appropriations through arts, architecture, and other humankind-related-creativity which are projecting civil, modern, and modernized society into the post modern era. It has also discussed Post-Modernism and how remix culture has affected or influenced it.

Allusion: Literal meaning Essay

I would have such a fellow whipped for o’erdoing Termagant (II,ii,14)Hamlet is giving instructions to the troupe of actors that has come to the castle. These actors are going to perform a play within a play and Hamlet has added some lines to the play in the hope of exposing Claudius’ treachery. â€Å"Termagant† is an allusion to a god that Elizabethans believed Muslims worshipped. It out herods Herod (III,ii,14)Herod is the king in the Bible that had John the Baptist beheaded and was responsible for Jesus’ death. This allusion is particularly important to Hamlet because like Claudius, Herod married his brother’s wife. John the Baptist told Herod that this was evil, so Herod’s wife Herodias instructed her daughter to ask for the head of John the Baptist, a request with which Herod complied. Hamlet is telling the players not to overdo their acting, not to be more like Herod than Herod himself. â€Å"For O, For O, the hobbyhorse is forgot†Hamlet is talking to Ophelia. It is right before the play is to be performed. He looks at his mother and Claudius and complains that they have forgotten all about his father, who has only died two hours ago. Ophelia tells him it has been four months. Hamlet’s response continues his pretext of being mad because he replies that his father has been dead two months, trying to convince Ophelia further that he is mad, but if a man is to be remembered after six months, he must build churches, otherwise he will not be remembered any more than a prostitute. The hobby horse allusion refers to a player in the pagan May-Day festivals and is sometimes associated with prostitutes

New Step by Step Roadmap for Staar Essay 2015 9th Grade Writting Samples

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Their Eyes Were Watching God - 2179 Words

In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie Crawford, the protagonist in the novel, returns home after a long period of time. She is welcomed back by unfriendly faces and vicious rumors and gossip about her past relationship with young Tea Cake, her third husband. The novel continues with Janie telling her friend, Pheoby Watson, her story in flashback form starting from when she was younger and lived with her grandmother. Janie retold her story about her three marriages with Logan, Jody, and Tea Cake. She explained everything she has experienced and learned from her journey in finding happiness and finding her voice. Their Eyes Were Watching God is full of figurative language, the majority of which derives from nature. The natural forces in which the characters struggle against, guide their lives and assist them in self discovery. Examples of the natural forces that are brought up throughout the novel include the horizon, the pear tree, and the hurricane . In the novel, the natural forces are what guide the characters, especially Janie, to find happiness in their lives and find their true identity. As the characters develop and experience their lives through the comparisons of life and nature, the novel celebrates those relationships in order to provide the room to allow the character to keep growing and learning.. Each character in the novel had their own horizons. Each horizon was different, they were made up of different dreams and goals, but whatShow MoreRelatedTheir Eyes Were Watching God1064 Words   |  5 Pagessignificant than death. In Zora Neale Hurston’s famous novel, Their Eyes Were Watching God, the main character Janie Crawford is plagued by the deaths of loved ones. Janie moves from caregiver to caregiver searching for true love and happiness, only to have it stripped away from her once she finds it in her third husband Tea Cake. At the end of the novel, having realized true love and loss, Janie is a whole woman. 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In each of Janie’s marriages, a particular article of clothing is used to symbolically reflect, not only her attitude at different phases in her life, but how she is treated in each relationship. In Janie’s first marriage with Logan Killicks, an apron is used to symbolize the obligation in her marriage. â€Å"Read More Eyes Were Watching God Essay711 Words   |  3 Pages Their Eyes Were Watching God provides an enlightening look at the journey of a quot;complete, complex, undiminished human beingquot;, Janie Crawford. Her story, based on self-exploration, self-empowerment, and self-liberation, details her loss and attainment of her innocence and freedom as she constantly learns and grows from her experiences with gender issues, racism, and life. The story centers around an important theme; that personal discoveries and life experiences help a person findRead MoreAnalysis Of Their Eyes Were Watching God 1061 Words   |  5 PagesDivision: Janie Crawford in Their Eyes Were Watching God Their Eyes Were Watching God was written in 1937 by Zora Neale Hurston. This story follows a young girl by the name of Janie Crawford. Janie Crawford lived with her grandmother in Eatonville, Florida. Janie was 16 Years old when her grandmother caught her kissing a boy out in the yard. After seeing this her grandmother told her she was old enough to get married, and tells her she has found her a husband by the name of Logan. Logan was a muchRead More Their Eyes Were Watching God Essay1757 Words   |  8 Pages Their Eyes Were Watching God Book Report 1. Title: Their Eyes Were Watching God 2. Author/Date Written: Zora Neale Hurston/1937 3. Country of Author: 4. Characters Janie Mae Crawford- The book’s main character. 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Oprah changes many important events in the book Their Eyes WereRead MoreTheir Eyes Were Watching God Essay724 Words   |  3 PagesTHEIR EYES WERE WATCHING GOD ESSAY  ¬Ã‚ ¬ Janie Crawford is surrounded by outward influences that contradict her independence and personal development. These outward influences from society, her grandma, and even significant others contribute to her curiosity. Tension builds between outward conformity and inward questioning, allowing Zora Neal Hurston to illustrate the challenge of choice and accountability that Janie faces throughout the novel. Janie’s Grandma plays an important outward influenceRead MoreEssay on Their Eyes Were Watching God921 Words   |  4 PagesTheir Eyes Were Watching God An Analysis So many people in modern society have lost their voices. Laryngitis is not the cause of this sad situation-- they silence themselves, and have been doing so for decades. For many, not having a voice is acceptable socially and internally, because it frees them from the responsibility of having to maintain opinions. For Janie Crawford, it was not: she finds her voice among those lost within the pages of Zora Neale Hurston’s famed novel, Their Eyes Were WatchingRead MoreTheir Eyes Were Watching God By Zora Hurston Essay1233 Words   |  5 PagesHurston In the novel â€Å"Their Eyes Were Watching God† by Zora Neal Hurston is about a young woman named Janie Crawford who goes on a journey of self discovery to find her independence. The book touches on many themes like gender roles, relations, independence and racism however racism isn’t mainly focused upon in the book which some writers felt should have been. Some felt that the representation of black characters should have been better role models. Zora Hurston’s novel wasn’t like other black literature